Yasushi Nirasawa’s (1963 - 2016) career spanned garage kits, video games, film, and comics. In the realm of TV he was particularly prolific in his work for the Kamen Rider series in Japan. In the English speaking world however, the first time viewers got to see his unique character designs on TV came courtesy of Sci-Fi Channel UK.
On the southernmost tip of Tokyo, a stone’s throw from Haneda airport and about an hour from Ikebukuro’s Otome Road is the quiet neighborhood of Kamata. It’s glitzy or glamorous nor is it a historical destination or the site of some religious ceremony, one of its bigger claims to fame is a scene in 2016's Shin Godzilla when Godzilla, in his nascent larval-like form, makes landfall. Yet for a brief period, it was laid siege by some of the greatest monsters in cinema history.
On December 2, 2020, Richard Corben passed away at the age of 80, leaving a visceral legacy across comics and illustrations spanning fantasy, science fiction, and horror. My own first time witnessing (just “seeing” art feels too passive) Corben’s art was in Banner, written by Brian Azzarello for Marvel in 2001. I was taken by the sheer ferocity of Corben’s Hulk contrasted by the dread and gripping anxiety of his Bruce Banner. I didn’t have the mental vocabulary for it, but I realized later on how it deftly combined grace and grotesquery, craft and carnage.